ENGLISHWRITING FOLIO2010 CHECKLIST / REMINDERS First person storey authentic VOICE, natural circle (not laboured/contrived/artificial) Openings reference, place, object, observe action, thoughtful comment Patterning of actors line for effect Variation in execrations the for put upful, pithy sentence to desist a paragraph Single words can be effective Visual layout the short paragraph, even single lines pattern by dint of the piece Dialogue needs to be resolute (other voices to reveal character? a tense moment?) Fragments of run-in work stop gives another voice (eg Grandmas mantras) VERBS argon the gritstone of a sentence strong verbs worth a handgrip of adjectives as an embellishment. Language - IMAGERY, level, expressive / fanciful use of language, fluency, flow recital: events are the skeleton/ feelings are the muscle and heart of a allegory Event set narratives are not effective no sense of an upcountry world of characters Melodrama to be avoided tragic accidents, shameful relationships, drug addiction, alcoholic beverage addiction ie driven by events to a shift key big to be seekd; lacks credibility Time frame the solid time frame may be expansive barely the PRESENT TIME OF narrative should not be.
Life humbug becomes a chronicle of events (birth to death in 900 words overly big a canvas) SOI confusion between TASK and vex a bead on think of the theme - to explore. Weak endings RESOLUTION should fall out from the narrative characters motives, feelings, actions. handling of closely observed incidental detail t o give action to the narrative people are ! not in isolation from their surroundings and what is going on nearly them. FICTIONAL NARRATIVE needs to show the conventions of a short story: characterisation, setting or location, story line, resolution a narrative with a sense of purpose and direction / points of tenseness some randy range / a story which unfolds signals...If you indirect request to get a full essay, order it on our website: BestEssayCheap.com
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